![]() T IFF Perspectives - Narrative Sovereignty. Created as a cinematic response to the 250th anniversary of Captain James Cook’s uninvited arrival in the South Pacific, the film is both a stirring response to a colonial icon’s harmful legacy and a strong statement of Indigenous resilience and vitality in the face of persistent oppression. We Are Still Here is the collective work of 10 Indigenous filmmakers from Australia, Aotearoa (New Zealand), and Pasifika (the Pacific Islander nations of Sāmoa, Tonga, the Cook Islands, Niue, Tokelau, Tuvalu, and some smaller domains) who share an octet of stories resonating with the rich, complex histories and present realities of their region. In Māori, Arrernte, Samoan, Turkish, English. Beck Cole (Warumungu, Luritja), Dena Curtis (Warumungu, Warlpiri, Arrernte), Tracey Rigney (Wotjobaluk, Ngarrindjeri), Danielle MacLean (Warumungu, Luritja), Tim Worrall (Ngāi Tūhoe), Renae Maihi (Māori), Miki Magasiva (Samoan), Mario Gaoa (Samoan), Richard Curtis (Ngāti Rongomai, Ngāti Pikiao), Chantelle Burgoyne (Samoan descent). We Are Still Here Australia, New Zealand. ![]() Starting September 13: Selections online across Canada 47th Toronto International Film Festival (TIFF) Supported by Sundance Institute Indignous Program. Spirits, a story of a Mvskoke Creek youth troubled by what he must leave behind to pursue his dream of playing college basketball. Lakota, profiles a young woman grappling with mental health issues within her family Ticket sales support BAM’s Brooklyn Interns for Arts and Culture Program. In a special screening Kyle Bell presents two short films and works in development reflecting upon experiences in the Native community, followed by a conversation between Bell and Spike Lee, moderated by Bird Runningwater. ![]() “ El Gran Movimiento: Subsistence and the City” by Ben Kenigsberg in the New York Times, AugBrooklyn Academy of Music/Rolex Arts Weekend “ El Gran Movimiento Is a Masterful Portrait of Capitalism at Work,” by Eli Rudovsky in The Nation, August 25, 2022. To save Elder, Max performs a series of shamanic rituals that slowly brings the young man back to life. An elderly woman known as Mama Pancha sends him to Max, a mysterious man who resides in the rainforest and occasionally heads to La Paz for work as a street performer. Set in the alternately harsh and beautiful terrain of La Paz, Bolivia and its surrounding rural areas, the filmfollows a young miner as he looks for work alongside his friends, even as he begins to descend into a mysterious sickness. In-person in Nashville, Boulder, Oklahoma City and Portland, MaineĮl Gran Movimiento Narrative feature. Also notable is the panel on the history of the Seminole Tribe with Everett Osceola, filmmaker and founder of the Native Reel Cinema Festival, and Uzi Baram, Professor of Anthropology at New College. She’s one of Marie Claire’s Top 21 Creators to Watch in 2022. The festival’s live events spotlight a performance by Seminole musician Doc Native, an MTV VMA Award winner, writer, producer and rapper, as well as live painting by Seminole artist Wilson Bowers.Ĭonversations include a talk with Shaandiin Tome, an award-winning Diné filmmaker whose films have screened at the Sundance Film Festival and SXSW.
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